1/1/2023 0 Comments Composer stravinsky![]() ![]() The numerous young people on university faculties who write music and who fail to develop into composers cannot blame their university careers, of course, and there is no pattern for the real composer, anyway. However pleasant and profitable to teach counterpoint at a rich American Gymnasium like Smith or Vassar, I am not sure that that is the right background for a composer. I would warn young composers too, Americans especially, against university teaching. They are more than manifestations of personality, are in fact indispensable human measurements. Similarly, he will know he is not one if he has only a “desire to compose” or “wish to express himself in music.” These appetites determine weight and size. The composer will know that he is one if composition creates exact appetites in him and if in satisfying them he is aware of their exact limits. 3 Advice For A Young ComposerĪ composer is or isn’t he cannot learn to acquire the gift that makes him one, and whether he has it or not, in either case, he will not need anything I can tell him. He had available all conceivable writing implements and scoring paraphernalia he might need, and he used these like the most highly skilled craftsman. The neatness and precision of his scores recalled those of a map, with every syllable, every note, and every rest perfectly drawn.” ![]() His approach was very orderly as his biographer Mikhail Druskin notes: “Stravinsky’s work table resembled that of a surgeon rather than that of a composer. ![]() Beginning by playing a Bach fugue on the piano, he would compose for four to five hours in the morning and then, after lunch, orchestrate and transcribe for the rest of the day. Stravinsky worked at least ten hours a day for many years. #COMPOSER STRAVINSKY WINDOWS#He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.” 2 Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks–writing letters, copying scores, practicing the piano–in the afternoon. “I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Composition is a later expansion and organisation of material. Only after I have established my melodic or harmonic relationships do I pass to composition. This exploration of possibilities is always conducted at the piano. Long before ideas are born I begin work by relating intervals rhythmically. This post is a collection of selected quotes and excerpts from secondary sources used for educational purposes, with citations found at the end of the article. Igor Stravinsky (1882 – 1971) was a Russian-born composer, pianist, and conductor. ![]()
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